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Friday, October 16, 2026
MegaPath Insights

Film Analysis: Sleaford Mods' Jason Williamson Takes On Character in Critical Examination at 90s Rave Culture

The work of Bristol sound co-founder the musician-producer, this sharp-edged though slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Venal pillhead David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to break into his own family home. In no time, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Duel

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The bigger point – that the rave-era youth were primarily out for themselves – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Poacher arrives, enraged after David strangles his dog. Still, a grimly amusing duel takes hold – David eager to get away; the Woodsman withholding his jerrycan of cider, intent on soaking him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Sensibility

Just a single important plot development, but it leads to a hilariously staged chaotic run on the forest trails that dips close to rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of insects in the light in the opening part, he now lets rip with the full lysergic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

The film releases in British and Irish cinemas from November 17.

About the author

Brenda Gibson

A technology strategist with over a decade of experience in digital innovation and enterprise solutions, passionate about simplifying complex tech concepts.

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